Heather Ross spoke and showed slides of her artwork and fabric designs last night at PNCA (I was sitting at the back with a point & shoot and I apologize for not not casting Heather in the best light).  I really enjoyed hearing about her design process.  She talked about how fun it is to create youthful fabric designs and how, through that focus, she draws youthful people to her.  The theme of much of her work has emerged from her free roaming childhood in rural Vermont.

Heather spoke of her inspiration from the DIY movement and how much she enjoys how people use her fabrics for different quilting and craft projects.  I had a Summer of Making poster signed by Heather after her talk and she complimented my shirt.

I was happy that I was able to share one of the projects I have created with her fabric.  I got inspired after the hexagon night at the latest Portland Modern Quilt Guild (PMQG) meeting and the arrival of the blank tees to make a shirt with Heather’s fabric.  I used the 1.25″ hexagon I just bought from TabSlot.  I used Heather’s Swim Class fabric from the Mendocino collection for the first shirt I made for Henrik.  It is still my favorite, but I plan to make a larger swatch for the t shirts for my Etsy shop.

I love the prints from the Mendocino collection.  I had no idea when I took my first quilting class at Bolt that the fat quarter pack I picked out included a few prints from the Mendocino collection.  That quilt is waiting to be finished.  I started to stitch in the ditch, but I did not like the look.  I will be taking Elizabeth Hartman’s Freestyle Machine Quilting Workshop next weekend.  I hope to get some inspiration and some new skills so that I will actually complete the first quilt project I started.

Here is the first Quilt Block Tee I made for myself with one of Deb Strain’s Love U prints.

I finished it just before we went to the Sisters Outdoor Quilt Show.  I am excited to finally get started on making shirts for my Etsy shop.  I will share my completed designs along the way.  I hope you are finding creative inspiration from someone, something or somewhere around you.

We spent 24 hours in Central Oregon over the weekend and I learned the difference between a ground squirrel (left) and a chipmunk (right).  They both have stripes on their bodies, but the chipmunk also has stripes on its face.

The main focus of the trip was the 35th Annual Sisters Outdoor Quilt Show.  I read Susan Beal‘s post about her trip to the show last year. Last year was our first full summer in Oregon and I had not even finished my first quilt project, the Doll Quilt I had started earlier in the spring at a class at Bolt, but I knew I wanted to go the show  in 2010.

It was a very slow morning getting out the door and after a lunch picnic on the road, we finally pulled into Sisters at 4pm.  The show ended at 5pm.  I set out to take pictures of as many quilts as possible.  I quickly refined my goal and only took pictures of the quilts that really drew me in.  Rob and Henrik tagged along and also entertained themselves by visiting the local bike shop and a fountain.

(rob's photo)

There were beautiful quilts

Quilt by Betty Anne Guadelupe

Quilt by Barbara Fontaine

and beautiful patterns everywhere.

Quilt by Bryce Hamilton

Quilt by Sue Harney

Quilt by Janet Storton

Quilt by Janet Storton

Quilt by Jamie Richter

And then I came upon Jean and Valori Wells’ quilts.  I first saw this one by Valori.

Quilt by Valori Wells

Quilt by Valori Wells

When I saw it from a distance I wasn’t really very inspired by the colors, but I was so drawn by the quilt’s composition.   I kept walking closer and closer and taking more photos.  When I got close enough I realized why I was so entranced.  It had been expertly crafted by a skilled quilter.

I then saw a couple of Jean’s quilts.

Quilt by Jean Wells

Quilt by Jean Wells

I had seen the Landscape Quilt (above) in Jean Well’s Intuitive Color & Design.  It was great to see it in person.  The New York City Scape Quilt (below) is also in the book and it was stunning in person.  It was so blustery in Sisters during the show that all of the quilts were in constant motion.  This quilt was so narrow that it was had to get a good photo as it was whipped around by the wind.

Quilt by Jean Wells

We finally made it to the Stitchin’ Post around the next corner right as the fire engine rolled up at 5pm to start taking the quilts off the side of the Stitchin’ Post Building.

(rob's photo)

I tried to capture a few of the beautiful “Employee Challenge” quilts before the firefighters got to them.

I spent the next hour inside the Stitchin’ Post and Henrik drove the fire engine

(rob's photo)

and watched Jean Wells (in the distance) watch the firefighters take down the quilts.

(rob's photo)

All the quilts were down when I finally emerged from the store.  I used huge amounts of self restraint and only bought a few fat quarters.  I picked out one from Valori Wells and a couple from Laura Gunn.  It was a whirlwind tour and I had fun.  I hope to spend more time enjoying the quilts next year.

We spent the night in Bend and went to the High Desert Museum the next day.

Henrik really enjoyed exploring

(rob's photo)

(rob's photo)

and trying to catch fish

and playing Hoops at the Homestead Ranch.

E.O. Wilson shared some wise words.

It was quite auspicious that there was also a Pioneer Quilts Exhibit.  I found the book Quilts of the Oregon Trail in the gift shop afterward.  It includes more information about quilts from the exhibit.  I just requested it from the library.

Quilt themes are continually recycled.  This was such a nice companion exhibit to the Outdoor Quilt Show the day before.  Here are some of my favorites.  Flash photography was prohibited so some of the photos are a little dark.

Churn Dash Piecework Quilt–Circa 1875-1900

Rose of Sharon Applique Quilt–Circa 1950-1900

Double Nine Patch Piecework Quilt–Circa 1850-1875

Patchwork Quilt–Circa 1850-1900

Pineapple Block Quilt–Circa 1875

We stopped off for rest area break at Government Camp and were drawn on a quick hike a short way up the mountain.  Mt. Hood was absolutely beautiful in the distance.

We saw beauty up close also.

Henrik did some dryland training

and some machine maintenance.

We had limited time and finances for this trip, but we made the most of it and we all had fun.  I hope you are also able to squeeze some fun into your schedule and budget this summer.

I planted these potholders

and a flower grew.

I went to the Portland Modern Quilt Guild (PMQG) meeting last night.  I made two potholders for the potholder exchange and I got this one back.  It was made by Jen Bailly.  The blue in the flower is so similar to the YOLO Colorhouse DREAM.01 color of our kitchen and dining room that I could swear she came over and peeked.  It was really amazing to watch how so many people picked from a collection of brown paper bags and wound up with a potholder that had a swatch of their favorite fabric or color.  I guess sometimes we really do get what we want….Thank you, Jen.

I guess what I have also be wanting is to learn new quilting skills from a group of very accomplished quilters.  I felt like an amateur surrounded by experts.  There had been a hot pad tutorial link from Sew, Mama, Sew! on the PMQG blog post announcing the potholder swap.  This was my first attempt at a potholder (except for the ones I made on a potholder loom as a child, which are actually the same ones I still use since my grandmother and great aunt have both passed and the potholders have come full circle).

My first attempt at a quilt was during a doll quilt class at Bolt about a year ago.  I got sick between the two weeks of class and was not able to do my “homework” between the classes.  I was still piecing on the second night of class and didn’t get to quilt or bind my quilt in class.  I am a very kinesthetic learner and I really need to “do” something to really “learn” it.  I made an attempt to stitch in the ditch, per the instructions, but I was so dissatisfied with the way it looked on the quilt top that I terminated the entire project.  I never got around to attempting the binding.

Now I have started my new t-shirt project (yes, I will post about this soon), which strategically requires no binding.  But, I knew that a binding (actually two) would be in my future with the potholders.  I started with the tutorial and cut 2.5” wide strips of five different fabrics.  Since I am so sleep deprived I didn’t want to have to make multiple decisions about piecing.  So, I took the brown bag trick I learned at the Denyse Schmidt workshop I took last summer at PNCA and tweaked it a little.  I put all of my strips in a pile.

Then I cut up four small chunks of paper and put a 2, a 3, a 4 and a 5 on each piece.  I closed my eyes and picked out a piece of fabric and a piece of paper.  I cut the 2.5” wide strips to the length written on the piece of paper.  The only modification I made was that I kept the just cut piece of fabric on my mat when I selected the next piece so that I didn’t have two of the same colors side by side.

I stitched them together for the top (I used ¼” seams instead of ½” in the tutorial).

My sandwich consisted of the top, a layer of batting, a layer and Insul-Bright (thank you to The Warm Company for their generous donation to the PMQG meeting) and my backing.  I used the 1/8” allowance recommended in the tutorial.  I did have a little shifting in the quilting process.  I squared up my edges when I was done.  I had already squared up my edges before quilting the top so I will probably only tip the edges after quilting next time.  I bravely sliced the whole thing in two.  Then I could avoid the binding no longer.

I reviewed multiple sources on how to attach a binding and was still confused.  So, I just started sewing.  Then it did make sense.  I got to my first corner and stitched and folded and stitched again…..and it worked.  Wow.  I complete all four corners and stopped.  Then the trouble began.  It is one thing to mess up with stitching, but it is completely another when a rotary cutter is involved.  I misunderstood the part about lining up my edges and trimming and I trimmed too much and at the wrong angle.  Wow.  That was a big mistake.

Luckily I had a second potholder.  I was so confident about attaching the binding and stitching the corners that the second one was a breeze.  I correctly attached the two tails, and even though it was not quite as precise as I would prefer, it was Thursday afternoon and I had to leave to take Henrik to music.  I made a feeble attempt to add fabric back onto the tails of the first binding, and then, uttered a few choice words, and ripped the whole thing out and started fresh.  I grabbed the potholders, thread, scissors, a needle and Henrik and ran out the door.

I hand stitched the binding on the backside of one potholder while Henrik was in his class.  I stitched the second as soon as we got home.  I finished at 6pm and raced outside to take pictures.  I was in such a hurry that I now realized that the left potholder should have been rotated 180 degrees to match up with the original whole piece.  Anyway, Rob graciously made salads and tuna fish sandwiches and I raced off to PNCA.

I hope that my binding experience will encourage others to jump right in even if you are confused by the written instructions!  Remember, stitching errors can be fixed!  Rotary cutters are less forgiving!  The next PMQG meeting will be May 20th.  Check out the website if you are interested.  Also, Natalie Chanin’s beautiful quilts (historic quilts that have been stabilized and embroidered upon by her stitchers) are still up in the Pearl Room at Powell’s.  I was told that they will be up through the end of the month.  I have seen them three times now.  They are exquisite!

I started with this

Dress #1

Velvet Dress

and ended up with this.

Henrik Up Close

Cat Up Close

Henrik the Cat

Curious Cat

The conversation started with, “What would you like to be for Halloween this year?”  Henrik replied, “a fire truck, a really long fire truck”.  I cringed and asked for another suggestion.  The second response was, “a dump truck”.  I then asked the leading question, “What about an animal?”  He quickly answered, “a fox”.  OK, I thought, I have a couple months.  I could possible take on a fox.  I thought about it for a week.  I mostly wondered how I could create a realistic fox without giving in to polyester faux fur.  I was relieved of that concern when Henrik informed me that didn’t really want to be a fox.  He wanted to be a cat.  I inquired about the color of the color of the cat.  He told me that he wanted to be a black and white cat.

Since the fox idea only stuck for about a week I decided to sit on the cat idea for a while.  Also, I never had any time to actually start working on the costume project.  The cat idea was still at the top of the list mid September and I decided I had to start moving forward.  The first week of October I bought a cat costume on eBay.  That weekend Fabric Depot was having a sale on Minky fabrics and I thought that would be a great fabric for the cat costume.  With family in tow we all made the trip out to Fabric Depot.  Henrik has a small blanket made out of the raised dot Minky fabric that has been cherished for the past 3 ½ years and he agreed that it would be a good idea to use that for the costume.  I decided to make a black body with white spots.  There was plenty of white, but the black bolt was a little light.  It measured about 1/8 yard short.  I hadn’t actually received the pattern in the mail so I didn’t know how the pattern pieces would lay out on the fabric and I didn’t want to come up short.  We left without any fabric.

The pattern was waiting for us at home and I decided that I could probably make it work with the amount of fabric available at Fabric Depot.  I went alone back out to Fabric Depot that evening only to find out that someone had bought ¼ yard of the black fabric.  Now there really wasn’t enough fabric.  I moved on to my backup plan.  I stopped at Goodwill on the way home and found a couple full length black velvet dresses.  I decided that the velvet would make nice “fur” and I felt more eco about creating the costume out of the dress material.  It took me another two weeks to get around to pinning the pieces to the fabric.  But I still really liked the idea of using the Minky.  So, I called Fabric Depot and was told that they had 2 yards, more than I needed, of the black Minky.  I put the bolt on hold and we all drove back out to Fabric Depot again.  But, the employee had only guessed at the remaining yardage on the bolt and they actually had the exact amount as the last time I had been there, which was not enough.  I compromised with Henrik and bought ¼ yard of the black Minky to make a stuffed animal and ¼ yard of white velvet to make spots on the black velvet I had bought at Goodwill.

The pattern also called for bias tape for the neck, a 14” zipper and stuffing for the tail.  Fabric Depot only had black invisible zippers in stock and the zipper pull was so tiny I was concerned that Henrik would not be able to work the zipper on his own.  So I got the great idea of adding buttons instead of a zipper and picked out some buttons.  The black bias tape was also out of stock.  I hadn’t actually read the pattern directions so I wasn’t even sure why I needed the bias tape.  I wasn’t too worried.  They did have stuffing, but it was way less green than I had hoped.  I assumed that I would be able to find more eco friendly stuffing before Halloween.

I started working on sewing up the body of the cat suit and realized that creating a placket onto which to add the buttons would take more time than I had left before Halloween.  It was now just over a week before Halloween and I was starting to feel crunched.  Bolt was having their anniversary sale that weekend and while shopping for some great fabrics for some craft projects I have been cooking up, I picked up a 14” black zipper with a much more finger friendly pull.  When I was time to sew in the zipper I figured out that even though the pattern called for a 14” zipper, I had shortened to torso of the pattern to fit Henrik and now needed a 12” zipper.  Also, when I finally took the time to read all the directions I realized that in the picture it looked like the hood with the ears was attached to the body, but they were actually separate.  The bias tape was supposed to finish the seam around the neck.  Now I was a little worried.  I went back to Bolt the next day and bought the bias tape and the 12” zipper, but I of course forgot the 14” one to exchange.  Bolt was out of stuffing.

I had never sewn in a zipper so I watched a few tutorials on YouTube and went to work.  The zipper went well and I kept assembling.  When I got to the hood I decided that I really wanted it to connect to the body.  With a preschooler, there is no point trying to keep track of two items when there is the possibility of needing only one instead.  Since the pattern did not include instructions on how to attach the two I had to completely improvise.  Also, since I wasn’t working with yardage, but reusing the dress material instead, I did not have a piece of fabric wide enough to cut out the hood.  I ended up cutting the hood into two halves with a new seam from front to back.  I never imagined I was going to encounter so many improvisational sewing experiences on this project.   I did not end up learning how to use the bias tape since I had connected the hood to the body.  All that was missing was stuffing for the tail.

Henrik at Hillsboro

Henrik at Hillsboro

Henrik participated in most of the Kiddie Kross races during the 2009 Cross Crusade series.  The race on the Sunday before Halloween was in Hillsboro.  We stopped at JO-ANN on the way home and picked up a bag of the same non eco stuffing I had passed up at Fabric Depot.  I had finally collected all the supplies and was nearing the end of sewing all the parts together.

The last weekend in September we were at a Just Between Friends (JBF) sale and we found a cat suit (faux fur of course).  It was a perfect fit, but the hood was missing with the price tag attached.  They weren’t able to sell it because they didn’t know the price or who to credit.  I left my contact info in case the hood turned up.  In the mean time I came up with the great idea that I should just make the costume.  I became attached to that idea and when the JBF coordinator called the next day to say that they had located the hood and the price tag I somehow thought it wasn’t very eco friendly to drive across town to buy the costume…..

As naptime ended at 5pm on Halloween evening, I had just finished the costume and Henrik was able to try on the finished product.  He was thrilled with the result.  He can put the whole suit on by himself, ears and all.  He immediately started meowing and crawling on the floor.  I did upcycle fabric from the dresses from Goodwill, but my overall project was not so green.  I ended up with 1 extra zipper, 1 extra package of bias tape and a ¼ yard of white velvet for the spot that never appeared (luckily, there was no mention of the lack of spots).  In all, Halloween 2009 included 3 trips to Fabric Depot, 2 trips to Bolt, 1 trip to JO-ANN, a few choice words and 1 very happy boy.

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